Midi and Strawberry Music Festivals 2013: An Audience Matures

This blog does a pretty good job of reviewing and complaining about music festivals happening in Beijing, Shanghai, and sometimes even other cities (by our tireless contributors). However, from an audience perspective, we have precious few gripes this year for 2 of China’s longest-running music festivals, Midi and Strawberry.

Your Radar correspondents, split between Beijing and Shanghai, attended the first day of Strawberry in Beijing, the third day of Midi in Beijing and day three of Strawberry in Shanghai. Miracle of miracles, there was beer for sale at Strawberry in Beijing. More importantly, it didn’t come in tepid cans out of a sketchy backpack. Danish beer juggernaut Tuborg claimed sponsorship duties at Modern Sky’s flagship festival, complete with VIP “pavilion,” microphone-toting MC and plenty of scantily clad Tuborg honeys. There are unsubstantiated rumors that the beer was only there the first day – can any of our readers shed some light on the situation? In Shanghai, we were pretty outraged to find out that Strawberry had (seemingly) sold exclusive alcohol rights to Bacardi. While this is good for the coffers in the short run and great for a brand to force everyone that wants to drink alcohol to drink theirs, it’s moves like this that destroy the long term credibility of a festival. It is simply greed that is driving a festival to deny consumers choice to make MORE money.

Usually strongest with their domestic lineup, Strawberry’s foreign headliners this year was Travis, they of the inoffensive between-Oasis-and-Coldplay Britrock persuasion; experimental pop savants Deerhoof; and Lenka, who played at Modern Sky 2011. We stayed for the entirety of Travis’ set, and enjoyed it very much, to our great surprise. There were no surprises in the domestic lineup, from New Pants taking the slot before the headliner for the second year in a row to Xie Tian Xiao’s 75th appearance to close out the festival (more on that in a bit), but the sheer number of people at the festival – the organizers stopped selling door tickets at 3PM – speaks to it’s success, even with single day tickets priced at 150 RMB.

Midi Festival took over the space at China Music Valley in Pinggu district this year, extending the festival’s eternal quest to find the furthest possible location whilst still remaining within Beijing’s municipal borders. In past years, the China Music Valley Festival (of Avril Lavigne and Jesus and Mary Chain notoriety) have installed two stages in the entire area, and alternated set times so that only one act would be playing at any given time. Midi brought 5 stages. The sonic experience was…interesting. However, the festival experience was not lacking. From 20 RMB beers and 5 RMB water to donuts that were “much better than they had to be” (quoth one enthusiastic festivalgoer), parking yourself in front of a stage and letting the music wash over you was not a bad way to pass the day. Continue reading

West Lake Festival in Hangzhou

David Kay of Shanghai band Party Horse has an interesting piece in April’s That’s Shanghai about playing in Hangzhou’s West Lake Festival. From submitting lyrics to clear the censors to encounters with the polite hordes of fans from Hangzhou it’s a fun little read and nice insight into the experience of playing a non-tier one city festival.

Read the entire piece here.

Festival Season in China

Two weeks out from the May Festival (Labour Day) holidays and most of the major players have (finally) released their lineups and schedules. Hat tip to Beijing Daze for the Beijing events and dates.

With the absence of China Music Valley Festival (MIDI is taking over the space this year) and postponement and relocation of Dong Party aka Ditan Folk Festival to Beijing’s 2 Kolegas this year there is precious little innovation in the rest of the festivals’ lineups. Nonetheless, if the weather is nice the events are a good place to relax and catch up on the bands you always try to see, but it somehow never ends up working out during the year.

MIDI (Beijing and Shanghai)

Strawberry (Beijing)

Strawberry (Shanghai)

春节快乐!! JUE | Music + Art Festival goes large

Dear Friends, once more into the breech, once more.

It is that time of the year again, the time when dragons turn to snakes. We apologize profusely for our inconsistency over the last 6 weeks, but Christmas and Chinese New Year in quick succession always make for posting light. January is also the month of finalizing everything for our JUE | Music + Art festival, which is going into year 5 in March 2013. And it’s looking like a bit of a monster, even if we do say so ourselves. Come and join the party:

Gang of Four playing with AV Okubo? Grimes bringing her Pitchfork endorsed weirdness to the Mao’s? Frank Turner, How to Dress Well or Marshall Allen of Sun Ra Arkestra playing in China for the first time aged 89? Or wanna watch a world premiere of a documentary about UK bands going to the furthest reaches of China, or an expose of Mongolian hip hop, or a cookery class with a dyed in the wool Beijing oi-punk? Markets, workshops, readings, improv. JUE has the lot.

JUE Festival 2013, China, Art and Music

We’re back on the 15th February. Until then, we love you all very much!

Zaijian, Brad

Shanghai and the China music scene is losing one of the most outspoken and interesting figures in Brad Ferguson as the Texan prepares to pack up and move back to Austin, TX. Brad’s been around since 2002, managing live venues, producing, building amps, managing and whatever else needed to be done. The man even has his own Rock in China entry. Alas the tides shift and Brad’s heading back, taking wife and Duck Fight Goose drummer Damen with him. Yuyintang is throwing him a goodbye party this weekend, with DFG and a sort-of reunion from Boys Climbing Ropes (G from X is Y on guitar).

If you missed it, here are some of Brad’s greatest hits. His unsmiling mien will be sorely missed.

On “selling out”

DFG SXSW 2012 Tour Diary

Shanghai 24/7 interview

Schooling our own Archie Hamilton on Shanghai live music venue history

Resident Advisor

In July of this year, Resident Advisor (the global bible for electronic music) brought their Horizons concept to China. DJ Levon Vincent played Shelter back in July.

Resident Advisor hits the Shelter, Levon Vincent

Resident Advisor sent a correspondent to Shanghai. Said correspondent has just completed and posted a long and surprisingly accurate analysis of the electronic scene in the city, interviewing many of the main players (mostly foreign) and commenting on the fact that:

  1. there are very few Chinese involved in the scene, either as promoters, DJ’s or punters
  2. many of the local producers // DJ’s chose not to pay money to see a hot Western DJ. Rather, they mostly converged in Dada Bar which was where the local DJ’s were representing (mostly for free), suggesting that DJ hero worship here is less pronounced than in the West.

We’d just like to add that a lot of the success of electronic music to the masses internationally can be attributed to the increasingly wide proliferation of consumer // designer shizzle since the 60′s, something that hasn’t hit China’s youth in any significant way as of yet.

White Music Festival: Idol Worship and Fan Pens

Two weekends ago, Expo Park (that hotbed of musical and cultural activity) played host to a new pop-heavy music festival, the White Music Festival. Produced by Taiwanese media company Idea Music, the festival boasted a credible lineup of stars including Hebe 田馥甄, Yoga Lin 林宥嘉, Joanna Wang 王若琳, Sammi Cheng 郑秀文 and many others.

Due in part to the pop-idol nature of the artists, the White Music Festival implemented a rather creative two-tiered ticketing system for “fans” and regular attendees, available through the traditional channels (Damai) as well as popular Chinese culture social-networking site Douban. The festival issued 500 fan tickets (粉丝票) at 688 RMB, which included general admission, fan area admission and a festival t-shirt. With a fan ticket, attendees were able to watch the set of their favourite performer from the fans-only area, for the duration of that artist’s set. Like an assembly line, fan ticket holders gathered at the entrance to the cordoned-off area before their idols were set to play. Festival staff ushered them in for the set, and then ushered them out again to make way for the next set of ticketholders. It was guaranteed placement in prime real estate for any ticketholder’s favourite performer. For the rest of the festival, attendees were welcome to enjoy the concerts from the general-admission areas.

For many local music fans, there still exists a vast divide between listening to their favourite artists in the comfort of their own home and braving large, pushy crowds at arena concerts and music festivals. But Chinese fans are also some of the most dedicated and “nao can” (“brain-damaged”) fans of pop idols. Though Radar compatriots Split Works and Wooozy do not usually traffic in Mando- and Cantopop stars, we think that the idea of a special fan ticket, and area for fans is a pretty interesting concept. The overall experience is augmented for all parties involved: fans get to see their favourite stars up close, the performers have the satisfaction of singing to their biggest supporters, and the promoters engender goodwill amongst their audience (and make some extra $$$. A regular presale ticket for the festival was 180 RMB and 250 RMB at the entrance).

Some news from around the webs….

There have been a couple of half decent articles on the Chinese music scene kicking around the wires recently. We thought we’d point you to a couple:

First up, Andrew Chin over at City Weekend does a retrospective of big international shows in China in advance of two in two days (Elton John on Friday in Shanghai and Jennifer Lopez in the same venue the following night).

From Wham, to John Denver, to the Rolling Stones to Sonic Youth to Linkin Park to the present day, the article features interviews from Adam Wilkes, Archie Hamilton, Steve Sybesma and John Cappo, it makes a nice trip down memory lane for nostalgia hunters, while demonstrating how far we’ve come.

You can read that one right over HERE.

Disclaimer, the one of the authors of this blog was interviewed for this article.

At a different end of the spectrum, Morgan Short of Smart Beijing and previously of Shanghai based band Boys Climbing Ropes baits Dan Shapiro of The Fever Machine into telling us what he really thinks about the music scene in China. Both of these brohammers have been here for over 5 years and have spent most of that time immersed in the music scene, so the interview is a good one for those of you interested in being in bands here. You can read that little gem HERE.

The final one for today looks in depth at the present and future of music access in China, pointing to the fact that more and more of the big players are introducing options for the consumers to actually pay for content. The model seems to be that streaming will continue to be free, while downloading would cost. The author makes some pretty broad claims without backing anything up. The Chinese consumer has never paid for content before – it’s going to take a pretty significant breakthrough in simplicity or usability to make it happen

Read this one HERE

 

What’s up with all these high priced DJ’s?

Hot on the heels of the recent announcement that “the man who ruined dubstep” was coming to Shanghai and tickets were being charged out at nearly US$100 presale (580RMB) and over US$100 (RMB680) on the door, come the wonderful Justice, tickets priced at the most reasonable level of RMB380 (limited early bird), RMB420 presale and RMB500 on the door. We do understand that these artists are pretty big names in Europe and the US (in the case of Skrillex, the biggest name in EDM over the last 18 months), but the sad thing about an artist like Justice coming to China and playing a venue like Bar Rouge at such a ridiculous price premium is that the Chinese music fan (who has likely never really heard of Justice before) will assume that they are just another overhyped, overpaid DJ to grace the decks of one of Shanghai’s expat haunts. The fact is, they are also a huge (semi) live festival act.

Continue reading

Midi Electronic Festival

Midi Festival usually looks like this:

But this weekend, it’s going to look a little more like this:

Call us old-fashioned or short-sighted or whatever but we’ve never seen something like this before. Midi, a festival and school known for cultivating future generations of head-bangers and mosh-pit maniacs, putting on an honest-to-goodness electronic festival. Split up between “Traditional,” “Hip-hop” and “Bass” stages, Midi has assembled an interesting lineup of local MCs and DJs to play a one-day festival in Shanghai.

Continue reading