Midi and Strawberry Music Festivals 2013: An Audience Matures

This blog does a pretty good job of reviewing and complaining about music festivals happening in Beijing, Shanghai, and sometimes even other cities (by our tireless contributors). However, from an audience perspective, we have precious few gripes this year for 2 of China’s longest-running music festivals, Midi and Strawberry.

Your Radar correspondents, split between Beijing and Shanghai, attended the first day of Strawberry in Beijing, the third day of Midi in Beijing and day three of Strawberry in Shanghai. Miracle of miracles, there was beer for sale at Strawberry in Beijing. More importantly, it didn’t come in tepid cans out of a sketchy backpack. Danish beer juggernaut Tuborg claimed sponsorship duties at Modern Sky’s flagship festival, complete with VIP “pavilion,” microphone-toting MC and plenty of scantily clad Tuborg honeys. There are unsubstantiated rumors that the beer was only there the first day – can any of our readers shed some light on the situation? In Shanghai, we were pretty outraged to find out that Strawberry had (seemingly) sold exclusive alcohol rights to Bacardi. While this is good for the coffers in the short run and great for a brand to force everyone that wants to drink alcohol to drink theirs, it’s moves like this that destroy the long term credibility of a festival. It is simply greed that is driving a festival to deny consumers choice to make MORE money.

Usually strongest with their domestic lineup, Strawberry’s foreign headliners this year was Travis, they of the inoffensive between-Oasis-and-Coldplay Britrock persuasion; experimental pop savants Deerhoof; and Lenka, who played at Modern Sky 2011. We stayed for the entirety of Travis’ set, and enjoyed it very much, to our great surprise. There were no surprises in the domestic lineup, from New Pants taking the slot before the headliner for the second year in a row to Xie Tian Xiao’s 75th appearance to close out the festival (more on that in a bit), but the sheer number of people at the festival – the organizers stopped selling door tickets at 3PM – speaks to it’s success, even with single day tickets priced at 150 RMB.

Midi Festival took over the space at China Music Valley in Pinggu district this year, extending the festival’s eternal quest to find the furthest possible location whilst still remaining within Beijing’s municipal borders. In past years, the China Music Valley Festival (of Avril Lavigne and Jesus and Mary Chain notoriety) have installed two stages in the entire area, and alternated set times so that only one act would be playing at any given time. Midi brought 5 stages. The sonic experience was…interesting. However, the festival experience was not lacking. From 20 RMB beers and 5 RMB water to donuts that were “much better than they had to be” (quoth one enthusiastic festivalgoer), parking yourself in front of a stage and letting the music wash over you was not a bad way to pass the day. Continue reading

West Lake Festival in Hangzhou

David Kay of Shanghai band Party Horse has an interesting piece in April’s That’s Shanghai about playing in Hangzhou’s West Lake Festival. From submitting lyrics to clear the censors to encounters with the polite hordes of fans from Hangzhou it’s a fun little read and nice insight into the experience of playing a non-tier one city festival.

Read the entire piece here.

Festival Season in China

Two weeks out from the May Festival (Labour Day) holidays and most of the major players have (finally) released their lineups and schedules. Hat tip to Beijing Daze for the Beijing events and dates.

With the absence of China Music Valley Festival (MIDI is taking over the space this year) and postponement and relocation of Dong Party aka Ditan Folk Festival to Beijing’s 2 Kolegas this year there is precious little innovation in the rest of the festivals’ lineups. Nonetheless, if the weather is nice the events are a good place to relax and catch up on the bands you always try to see, but it somehow never ends up working out during the year.

MIDI (Beijing and Shanghai)

Strawberry (Beijing)

Strawberry (Shanghai)

Gang of Four in China / JUE | Music + Art reflections

A post by Archie Hamilton (Split Works and China Music Radar laoban) on the occasion of Gang of Four performing in China, March 2013. Cross-posted from Tumblr.

JUE | Music + Art 2013 encompassed nearly 100 events across Beijing and Shanghai over the course of 17 days. It is both the most exhausting event and the most exhilarating event that Split Works puts on every year. It is also the reason why things have been quieter over at the Radar for the past few months. For the rest of the summer, we will be returning to our regularly scheduled programme of updates here on the blog. In the meantime, click through to read some of Archie’s thoughts on the performance of the legendary Leeds post-punk band Gang of Four during JUE 2013.
Continue reading

SF Music Matters Asia

This just in – Music Matters Asia expands to San Francisco this year with performances by leading indie rock outfits from around East Asia. A preview weekend event for CAAMFest (formerly the San Francisco International Asian-American Film Festival), the event teams up Music Matters with leading promoters Maybe Mars (China), DFSB Kollective (Korea) and The Wall (Taiwan) along with Singapore’s Viki.com to bring familiar acts such as Carsick Cars, The Gar and WHITE+ to play in San Francisco March 7-8.

Check out the poster for a full lineup and find out more about the event here. After a tour by Re-TROS and New Pants at the Creators Project San Francisco, the West Coast of the US is getting more and more popular with touring Chinese indie bands. Though your Radar correspondent is an unrepentant East Coaster, it’s great to see areas of North America outside of New York and Austin, TX (SXSW) on more tour itineraries.

春节快乐!! JUE | Music + Art Festival goes large

Dear Friends, once more into the breech, once more.

It is that time of the year again, the time when dragons turn to snakes. We apologize profusely for our inconsistency over the last 6 weeks, but Christmas and Chinese New Year in quick succession always make for posting light. January is also the month of finalizing everything for our JUE | Music + Art festival, which is going into year 5 in March 2013. And it’s looking like a bit of a monster, even if we do say so ourselves. Come and join the party:

Gang of Four playing with AV Okubo? Grimes bringing her Pitchfork endorsed weirdness to the Mao’s? Frank Turner, How to Dress Well or Marshall Allen of Sun Ra Arkestra playing in China for the first time aged 89? Or wanna watch a world premiere of a documentary about UK bands going to the furthest reaches of China, or an expose of Mongolian hip hop, or a cookery class with a dyed in the wool Beijing oi-punk? Markets, workshops, readings, improv. JUE has the lot.

JUE Festival 2013, China, Art and Music

We’re back on the 15th February. Until then, we love you all very much!

Your 2012 mixtape, courtesy of Live Beijing Music

If you haunt live shows in the Northern Capital like our Beijing editor does, you’d be sure to recognize an American guy sporting varying degrees of scruff and extraordinarily ugly sandals holding a small video camera unobtrusively near the side of the stage. That gentleman (whose identity we shall not reveal) is the brains and editing suite behind Live Beijing Music, a site for his live videos of what seems to be every gig in Beijing. In the past year, he’s built up quite a following especially amongst the local musicians, who rarely film themselves and regular concert goers, who enjoy reliving the memories. He’s just posted his top tracks of 2012 – parts one and two – and it includes such Radar favourites such as Snapline, Dear Eloise and Residence A. Hilariously, the songs come in all forms: Soundcloud, Youku, Xiami, Bandcamp, the list goes on. But what the layout lacks in aesthetic value it makes up more than exponentially in the quality and scope of music released in Beijing over the past 12 months.

Part One, Part Two

Fundraiser for Liang Heping

As BeijingDaze and Beijing Gig Guide have reported, Saturday night China rock legend He Yong is hosting a benefit concert for Liang Heping, another original star of the scene and, as Jonathan W. Campbell reports, the musician responsible for the first notes of “Nothing To My Name” at the 1986 Let the World Be Full of Love Concert. Liang was in a car accident last summer and the rock community is all pitching in to help him out. Besides He Yong, there will be appearances by Secondhand Rose, Thin Man, Liquid Oxygen Can, Ma Tiao and more. There will also be a silent auction with memorabilia from  Ding Wu, Hao Yun, Xie Tianxiao, Reflector, Twisted Machine and others with all proceeds also going directly to Liang Heping. Reminiscent of when the China rock scene was literally 12 young men crammed into a tiny room listening to tapes or playing guitar, it warms our corporate-shriveled hearts to know that in the end, everyone is always watching out for each other.

Midi Awards Nominees Announced

Awards ceremony is this Sunday, December 16th at M Space out in Wukesong. Drop us a line if you’re going!

And the nominees are…

1. 最佳年度摇滚专辑 (Album of the Year)

GALA True Sound Is Untraceable | GALA《知音难觅》
Black Head Xi’an Incident | 黑撒《西安事变》
King Ly Chee Time Will Prove | 荔枝王《时间证明》
Escape Plan Earth | 逃跑计划《世界》
Lure Retrograde Kingdom | 诱导社《逆行王国》

2. 最佳年度摇滚歌曲 (Song of the Year)

The Gar “Love Will Lose Your Love” | 嘎调《爱,终将把青春遗漏》
Black Head “Liu Chuan Feng Yu Cang Jing Kong” | 黑撒《流川枫与苍井空》
King Ly Chee “Time Will Prove” | 荔枝王《时间证明》
Brain Failure “Nous avons de la chance” | 脑浊《永远的乌托邦》
Escape Plan “The Brightest Star In The Night” | 逃跑计划《夜空中最亮的星》
Lure “Retrograde Kingdom” | 诱导社《逆行王国》

3. 最佳年度摇滚乐队 (Best Rock Performance By Group With Vocals)

GALA
Hanggai 杭盖
Muma & Third Party 木马&Third Party
Brain Failure 脑浊
Escape Plan 逃跑计划

4. 最佳年度摇滚男歌手 (Best Male Rock Vocal Performance)

Lei Lin – Lure | 雷霖-诱导社
Ma Tiao | 马条
Mao Chuan – Escape Plan | 毛川-逃跑计划
Xiao Rong – Brain Failure | 肖容-脑浊
Zuoxiao Zuzhou | 左小祖咒

5. 最佳年度摇滚女歌手 (Best Female Rock Vocal Performance)

Helen Feng – Nova Heart | 冯海宁-Nova Heart
Kang Mao – SUBS | 抗猫-SUBS
Su Na – Gemini | 苏娜-简迷离
Pupi (Wang Jing) – Da Bang | 汪婧-Da Bang
Ying Zi – F.I.S. | 樱子-秋天的虫子

6. 最佳年度硬摇滚乐队 (Best Hard Rock Performance)

King Ly Chee 荔枝王
Brain Failure 脑浊
Twisted Machine 扭曲机器
Iron Kite 铁风筝
Liquid Oxygen Can 液氧罐头

7. 最佳年度金属乐队 (Best Metal Performance)

Frosty Eve 霜冻前夜
Four Five 肆伍
Yaksa 夜叉
Liquid Oxygen Can 液氧罐头
Suffocated 窒息

8. 最佳年度摇滚乐器演奏 (Best Rock Instrumental Performance)

Batubagen – Hanggai | 巴图巴根-杭盖
Mamer – Mamer & IZ | 马木尔-马木尔&IZ乐队
Guan Wei – Muma & Third Party | 关伟-木马&Third Party
Xie Yugang – Wang Wen | 谢玉岗-惘闻
Lei Lin – Lure | 雷霖-诱导社

9. 最佳年度摇滚现场 (Best Live Performance)

Nova Heart
Second Hand Rose 二手玫瑰
Hanggai 杭盖
Brain Failure 脑浊
Escape Plan 逃跑计划

10. 最佳年度摇滚新人奖 (Best New Artist)

Residence A A公馆
CNdY
Twinkle Star 闪星
Wang Shengnan 王胜男
Perpetual Motion Machine 永动机

11. 最佳年度专辑设计奖 (Best Album Art)

Black Head Xi’an Incident | 黑撒《西安事变》
Four Five No Leader | 肆伍《NO LEADER》
Escape Plan Earth | 逃跑计划《世界》
Iron Kite Between City and Country | 铁风筝《城乡结合处》
Left The 8 O’Clock Sun | 熊熊作业本《八九点钟的太阳》
Zhang Weiwei & Guo Long Platinum Hotel | 张玮玮与郭龙《白银饭店》
Zuoxiao Zuzhou To the Milkshed | 左小祖咒《去奶子房》

12. 最佳年度民谣音乐奖 (Best Folk Music)

Da Qiao & Xiao Qiao 大乔小乔
Ma Tiao 马条
Tuliger (Gangzi) 图利古尔(刚子)
Wu Tiao Ren 五条人
Yang Jiasong 杨嘉松

13. 中国摇滚贡献奖 (Award For Special Contribution To Chinese Rock)

14. 年度常委会奖 (Special Award By The Grand Jury)